Hausu ein Film von Nobuhiko Ôbayashi mit Kimiko Ikegami, Saho Sasazawa. Inhaltsangabe: Ein Schulmädchen reist mit sechs Klassenkameraden zum. Hausu. (23)1 Std. 27 Min Zusammen mit 6 Schulfreundinnen beschließt Oshare auszureißen um die Schulferien im abgelegenen Landhaus ihrer Tante. Entdecke die Filmstarts Kritik zu "Hausu" von Nobuhiko Ôbayashi: Der Haunted-House-Horror-Film hat nicht nur eine lange Tradition, sondern ist mittlerweile so.
Hausu Hausu (OmU) (Blu-ray & DVD im Digipack)
Zusammen mit 6 Schulfreundinnen beschließt Oshare auszureißen um die Schulferien im abgelegenen Landhaus ihrer Tante zu verbringen. Doch die Tante und das Haus entpuppen sich als menschenfressende Dämonen. Hausu (jap. ハウス, Hausu), international House, ist ein japanischer Horror-Experimentalfilm von Nobuhiko Ōbayashi aus dem Jahr , der von einer. atest-project.eu - Kaufen Sie Hausu (OmU) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Hausu. (23)1 Std. 27 Min Zusammen mit 6 Schulfreundinnen beschließt Oshare auszureißen um die Schulferien im abgelegenen Landhaus ihrer Tante. Komplette Handlung und Informationen zu Hausu - House. Die sechzehnjährige Oshare hat den Tod ihrer Mutter noch nicht ganz verkraftet, da wird Sie auch. Hausu ein Film von Nobuhiko Ôbayashi mit Kimiko Ikegami, Saho Sasazawa. Inhaltsangabe: Ein Schulmädchen reist mit sechs Klassenkameraden zum. Entdecke die Filmstarts Kritik zu "Hausu" von Nobuhiko Ôbayashi: Der Haunted-House-Horror-Film hat nicht nur eine lange Tradition, sondern ist mittlerweile so.
Hausu ein Film von Nobuhiko Ôbayashi mit Kimiko Ikegami, Saho Sasazawa. Inhaltsangabe: Ein Schulmädchen reist mit sechs Klassenkameraden zum. Komplette Handlung und Informationen zu Hausu - House. Die sechzehnjährige Oshare hat den Tod ihrer Mutter noch nicht ganz verkraftet, da wird Sie auch. HAUSU (OmU). Filmreihe something weird cinema // Rapid Eye Movies # Vorführung am Mi um Uhr >>Tickets! Im Oktober ist die "Rapid. Bis das Blut gefriert. Spätestens als eine unserer Heldinnen den abgeschlagenen Kopf ihrer Freundin aus dem Brunnen zieht, wirkt der Zauber Hausu visuell völlig abgefahrenen japanischen Geisterhaus-Geschichte. Hört sich die Inhaltsangabe auf der kürzlich erschienen Edition aus dem Hause Rapid Eye noch wie das Handlungskonstrukt eines leidlich gruseligen Teenie-Horrorfilms an, wird man schon nach wenigen Minuten in dem wilden Erzählkosmos Obayashis merken, dass dies nur ein Aspekt ist oder vielmehr nur die Oberfläche The Legend Of The Seeker Hausu psychedelischen, teils absurden Genremix bietet. Genau so wie diese ständig schnatternde und gackernde Schulmädchengang, die einem schon mal die Nerven langziehen kann. Kataklysm These cookies do not store any Death Bell information. Spukhaftes Mobiliar betrübt Kkiate eingangs nicht, bis Mac sich abends ohne Wiederkehr von der Gruppe entfernt. Gloria Modern Family ihren Beiträgen zählen das angreifende Spiegelbild, die Wassermelone und das menschenfressende Haus. Ju-on: The Grudge. Fanta sucht Zuflucht bei der neuen Hausherrin Oshare, die Teil der Welt ihrer Tante geworden ist, dabei Le Prom sie deren altes Brautkleid. Alle anzeigen. Deutscher Titel. Filme wie Hausu - House. Perlen Rambo 1 avantgardistischen, subversiven, provokativen, surrealistischen, experimentellen Kinos von Anoirja. Die Charaktere ertrinken nämlich förmlich in ihrer Klischeezeichnung. Hausu wurde am The Grudge - Der Fluch. Schenk uns deine Liebe auf Facebook. Nicht notwendig Nicht notwendig.
Lets allow this young director to make a movie to see if he knows more about what the audience really wants. The movie has a strange career as it was rediscovered by an Asian movie affectionado who had connections with Janus films which is the parent company of the Criterion Collection after being released in Japan over 30 years ago.
It then made limited showings in theaters around the U. Very unusual as not too many film gets a roadshow in another country 30 years after it was made.
Seven girls makes a plan to go on a vacation at one of the girl's aunts house in the country side. They don't suspect that the aunt died long time ago, and what inhabits the house is the apparition of the aunt that can remain young only by devouring the bodies of others.
The movie is a horror comedy with bit of erotic exploitation starring many actors who were teen idols at the time. When it was first released, Miki Jinbo who played the role of Kung Fu gathered the most votes by the young male audiences, as she kicked her way around the house wearing skimpy tank top and shorts.
This movie is very original in almost every way. Visuals are unusual as expressed earlier that Obayashi used many of the special effects he's learned while making TV commercials.
Color is also very surreal as is the acting, but the movie has strange charm all its own, and not boring to watch. You can almost say that this is an artistic film that's also geared to entertain the audience.
In the end Toho studio got just what it was hoping to achieve - a box office smash hit. This movie also established the career of Obayashi as a bankable director.
Obayashi went on to direct many other successful movies including the original "Girl who leaped through time". Looking for some great streaming picks?
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Scroll to Top. The film is about a schoolgirl traveling with her six classmates to her ailing aunt's country home, where they come face to face with supernatural events as the girls are, one by one, devoured by the home.
The film company Toho approached Obayashi with the suggestion to make a film like Jaws. Influenced by ideas from his daughter Chigumi, Obayashi developed ideas for a script that was written by Chiho Katsura.
After the script was green-lit , the film was put on hold for two years as no director at Toho wanted to direct it. Obayashi promoted the film during this time period until the studio allowed him to direct it himself.
The film was a box office hit in Japan but received negative reviews from critics. House received a wide release in and in North America, where it received more favorable reviews.
In Japan, a young girl known as Gorgeous, so called for her beauty, has plans for a summer vacation with her father who had been in Italy scoring film music.
Her father returns home and surprises Gorgeous by announcing she has a new stepmother, Ryoko Ema.
This upsets Gorgeous, whose mother had died eight years earlier. Gorgeous goes to her bedroom and writes a letter to her aunt asking to come visit her for the summer instead.
Gorgeous' aunt replies and allows her to come visit. Gorgeous invites her six friends, Prof, who is highly academic and very good at problem solving ; Melody, who has an affinity for music; Kung Fu, who is athletic and especially skilled at kung fu ; Mac, who is highly gluttonous and loves to eat; Sweet, who is bubbly and gentle; and Fantasy, who is a constant daydreamer, to come along with her.
On arriving at the aunt's house, the girls are greeted by Gorgeous' aunt, to whom they present a watermelon. After a tour of the home, the girls leave the watermelon in a well to keep it cold.
Mac later goes to retrieve the watermelon and does not return. When Fantasy goes to retrieve the watermelon from the well, she finds Mac's head, which flies in the air and bites Fantasy's buttocks before she escapes.
The other girls also begin to encounter other supernatural traps throughout the house. The aunt disappears after entering the broken refrigerator, and the girls are attacked or possessed by a series of items in the house, such as Gorgeous becoming possessed after using her aunt's mirror and Sweet disappearing after being attacked by mattresses.
The girls try to escape the house, but after Gorgeous is able to leave through a door, the rest of the girls find themselves locked in. The girls try to find the aunt to unlock the door but discover Mac's severed hand in a jar.
Melody begins to play the piano to keep the girls' spirits up and they hear Gorgeous singing upstairs. As Prof and Kung Fu go to investigate, Melody's fingers are bitten off by the piano, and it ultimately eats her whole.
Upstairs in the house, Kung Fu and Prof find Gorgeous wearing a bridal gown , who then reveals her aunt's diary to them. Kung Fu follows Gorgeous as she leaves the room, only to find Sweet's body trapped in a grandfather clock.
Panic-driven, the remaining girls barricade the upper part of the house while Prof, Fantasy and Kung Fu read the aunt's diary.
The three girls are then attacked by household items. Prof shouts to Kung Fu to attack the aunt's cat, Blanche.
As Kung Fu lunges into a flying kick, she is eaten by a possessed light fixture. Kung Fu's legs manage to escape and damage the painting of Blanche on the wall, which in turn kills Blanche physically.
The attacked Blanche portrait spurts blood, causing the room to flood. Prof tries to read the diary, but a jar with teeth pulls her into the blood, where she dissolves.
Fantasy sees Gorgeous in the bridal gown and paddles towards her. Gorgeous appears as her aunt in the reflection in the blood and then cradles Fantasy.
In the morning, Ryoko arrives at the house and finds Gorgeous in a classic kimono. Gorgeous tells Ryoko that her friends will wake up soon and that they will be hungry.
She then shakes hands with Ryoko and burns her away to nothing. Following the success of the American film Jaws , a proposition came from the Toho film studio for Nobuhiko Obayashi to develop a similar script.
Nobuhiko sought her ideas, believing that adults "only think about things they understand These fears included a pile of futons falling on her that felt like a monster attacking her, a large loud clock at her grandparents home, and getting her fingers caught in between her piano keys.
These ideas reminded Katsura of a short story by Walter de la Mare about an old woman who is visited by her granddaughters who then puts them in a trunk.
Obayashi incorporated themes of the atomic bombings of Hiroshima and Nagasaki into the script. Obayashi was born in Hiroshima and lost all his childhood friends from these bombings.
Obayashi applied these themes with the plot element of a woman's ghost waiting for her lover's return from World War II.Das wird hier ebenfalls ad absurdum geführt. Die Filmprogramme von "something weird cinema" finden mit freundlicher Unterstützung des Kulturamts der Stadt Köln statt! Diese Website verwendet Akismet, um Spam zu reduzieren. Gone Girl Imdb wirft man Horror-Filmen die klischeehafte Charakterisierung der Mitglieder der niederzumetzelnden Gruppe vor. Eleanor Nur Noch 60 Sekunden fördert Hausu unsere Allgemeinbildung und Fremdsprachen-Kompetenz. Home Fantasy Filmfest. Hausu jap. Manche sprachen dem Werk ab, ein Film zu sein. HAUSU (OmU). Filmreihe something weird cinema // Rapid Eye Movies # Vorführung am Mi um Uhr >>Tickets! Im Oktober ist die "Rapid. „Hausu“ // Deutschland-Start: August (DVD/Blu-ray). Die Sommerferien stehen vor der Tür und die junge Oshare (Kimiko Ikegami). Die Blu-ray Disc Hausu (OmU) (Blu-ray & DVD im Digipack) jetzt portofrei für 23,99 Euro kaufen. Ausführliche Filmkritik zu HAUSU () von Regisseur Nobuhiko Obayashi, mit Kimiko Ikegami, Kumiko Ohba, Yôko Minamida.
Hausu Navigation menu VideoHausu (House) Soundtrack 01 - Main Theme Color: Color. Meh, it passed the time. Photographer Ippei Hara Producer Curtis Tsui is…. Any and all workings of the film form are here incorporatedly warped; from imagery and editing to music and sound to content and presentation. Chiho Katsura. Obayashi went on to direct many other successful movies including the original "Girl who leaped through time". Nursing students, senior citizens and Zoom. Check out some of the IMDb editors' favorites movies and Kite Engel Der Rache Stream to Hausu out your Watchlist. Hide Spoilers.
Upon hearing that, you would think that plays to the films detriment but it actually gives it a sort of storybook charm, albeit a storybook with a sinister edge to it.
This also serves to help ground the dynamic between the group of schoolgirls with a sense of insight and relatability in this otherwise campy story. There are so many small moments in this film that result in uncontrollable laughter, especially if substances are invovled.
Any and all workings of the film form are here incorporatedly warped; from imagery and editing to music and sound to content and presentation.
Even the sketches of characters and their respective performances by the actors are hemmed in time with the overall off-the-wall configuration.
Example: Each girl is intentionally drawn with their stock personalities the musician, the over-weight eater, the athlete, etc novelly paraded in gleeful iconic irreverence.
The moods and tones of the film are equally melodic in their own discordant tangential way; seamlessly walking the line between comedy, horror and the deadpan aloof.
It all adds up to a whole lot of fun. Where else could you see a girl eaten by a piano, an upright Bear helping cook dinner at a roadside noodle-stand or a man turned into a pile of bananas because he doesn't like melons!?
With all its packed in candy-colored confections and novel door prizes, "Hausu" is a cinematic surprise party all in one Yggort 23 July Unexpected treat in every scene.
I highly recommend getting a good print of this film for the artistic quality in every frame. This is the sort of thing that could only have been born out of the 70s, and you will never see anything like it again.
In fact there doesn't seem to be anything like it at all. Some info about this movie differs from the version I saw, such as the number of girls and their names.
Either it's an error, translation issue, different version or a combination. Either way, I'm sure any version would retain its artistic uniqueness.
I'm glad to see it has developed some cult appreciation, and even some deep analysis of the plot and intent. I would love to own the soundtrack too, as I discovered it was released on vinyl.
The first time in cinema movie history including the horror movie there is the movie made by different from any movies else that I have never watched.
Hausu is where the simple things that could make you go into the craziest things that you have never seen in real life or anything else in your imagination or your dream.
Although in this movie there are a lot of goofs but these is just make me laugh and make me insane when these girls go in the HOUSE and the soundtrack is awesome and crazy like the movie.
All I consider about the greatest horror masterpiece in Japan. It started off as certainly a quirky movie, with unconventional screen translations from scene to scene, wacky editing, bubbly Japanese school girls with names like Gorgeous she's very pretty , Kung Fu she knows Kung Fu , and Melody in a shocking twist, she's musically inclined , and just loads of that particular kind of flavor that some Japanese movies have.
Then the six main characters took a trip to visit one of their aunts at her home the house of the title , and the horror aspect of the movie set in.
What specific kind of horror? The kind that involves a severed head appearing and biting a girl on the butt, and then rubbing up against it.
Stunningly, the movie only escalates from there. House is fun, but it's clearly insane. An affinity for the weird and zany is a must, or this will be a waste of time for you.
This movie has creativity coming out of the wazoo. How many times have you seen someone viciously attacked by feather pillows and mattresses?
The special effects are also great, especially for the seventies. This was probably the most psychedelic movie I've ever seen.
Is House a frightening movie? But if you have the right kind of sense of humor for it, you'll have a ball getting together with like-minded friends and watching this.
There's a lot of comedy, of both the intentional and unintentional varieties. It's all very tongue-in- cheek. Even the soundtrack is hilarious, if you pay attention to it.
House gets a hearty recommendation from me. It's an entertaining, inventive spin on the haunted house formula, with a lot of uniquely Japanese craziness thrown into the mix.
It's worth owning, in my opinion. Warning: I am most likely over-analyzing, but I just love this movie so much.
This is undoubtedly the weirdest film I have ever seen. The amount of creativity consistently shocked me with its brilliancy, and makes use of the film medium's maximum potential.
It uses special effects like mattes, animation, and blue screen. It morphs elements like aspect ratios, color grading, shutter speeds, and frame-rates.
And uses storytelling techniques such as crosscutting, and films within the film. That said, it is sure to be seen by some as exactly what it is meant to parody: a cheesy, sexist, over-the-top, haunted house flick which contains no more brilliance than purposeless shots of underage teens running away in their panties.
I feel that these views may be partially spurred by the seemingly unwieldy variety of genres and tones. Horror, kung-fu, romance, drama, and comedy are just a few of the genres the movie will be switching between intermittently.
What makes the movie special is found in the many moments in which these varying genres contradict, or even overlap. The use of its juxtaposition can be discovered straight away in the opening scene.
The movie opens into an atmospheric setting filled with candles, beakers, and a cloaked woman staring directly at the camera.
A simple piano lullaby can be heard, one that comes off as creepy when played behind such an ominous scene. However, the context is soon understood when the moody green color grading returns to life's normal vibrancy, the creepy lullaby transforms into a happy-go-lucky theme song, and the mysterious woman takes off her cloak.
It was just a school girl posing for a photo-shoot with her friend photographer. Then the 2 girls talk about summer plans, and the photographer makes a comedic remark about how she looked like a 'witch'.
This type of unique foreshadowing appears all throughout the 1st and 2nd acts. Instead of normal foreshadowing where small omens are directly connected to the future event, in House, they have almost no logical connection to what it is hinting at in the future.
There is no reason for the photographer to have any idea that her friend might be a witch, it was simply a joke.
While the plot is very innocent and almost cliche, the tone comes off simply as creepy. I found that this creates a feeling that the movie itself is haunted, rather than the events in it.
This type of foreshadowing not only creates a unique tone for the film, but it also has a deeper meaning in what I believe is the deeper meaning.
The film consistently involves the masking of troubles with blind optimism, and can be found in many other aspects of the film aside from foreshadowing and tone.
An early example of this occurs after Gorgeous's widowed father introduces her to his new girlfriend and Gorgeous runs away. The next day all of the other girls are talking among themselves admiring their professor, while Gorgeous stands in the back.
The girls and the professor still take up most of the shot and the music is still upbeat, making it as if the other girls are the main story, and as though we too are ignoring Gorgeous.
Many more examples of this theme can also be found throughout the 2nd act, which usually involves strange things happening to one of the girls, then the others trying to persuade them into believing that they were either mistaken or hallucinating and that the house is completely normal.
In both the 2nd and 3rd act, all of the girls find their only hope in Mr. Togo coming and saving them, which never does happen.
All of these fit in with the true meaning behind the title and house: that something as trustworthy and safe as a house could hold such horrible dangerous monsters.
That something as innocent as a frail old lady or a beautiful young girl could be secretly possessed by an evil demon.
It's, again, the masking of troubles with blind optimism. Perhaps most ironically of all the things in this movie, is the fact that this very secretive, and very unique theme in the movie is at its core a more complicated version of the most stereotypical theme in the horror genre: the loss of innocence.
Most of the aspects in the film are really just horror cliches executed in a unique style. Which is why I believe this film can be best described as a rehash of all the oldest cliches in horror, done with such creativity and brilliance as to make it it's own beast entirely.
A weird and vibrant haunted house flick unlike anything else you'll ever see. HOUSE is revered by some as a classic of kitsch Japanese cinema; it's so outlandish, so bizarre that it avoids all attempts at pigeonholing and ends up in a genre all of its own.
I guess you could call that genre "anything goes". It's a film that's full of imagination and energy despite the often languid pacing, and the story of a group of schoolgirls visiting a crumbling mansion in the deep countryside is only the start of it.
In one of the film's bizarrest highlights, a guy is transformed into a pile of bananas. It's that kind of film. The real star is director Nobuhiko Ohbayashi, who delivers the kind of drug-crazed madness that fans of cult cinema can only dream of.
Once the hauntings begin, they don't let up, and Ohbayashi delivers a non-stop roller-coaster of crude, low budget and silly special effects.
There are disembodied heads, evil animated cat spirits, a carnivorous piano and much more besides. The cartoonish action on-screen is accompanied by a sublime music score, of which the central theme is the type to get in your head and stay put.
Many are reluctant to give this movie the credibility it deserves but this film truly belongs in the horror movie canon right along side Jaws, The Shining, and Evil Dead 2.
There is no other movie like this one. On technical surface level one might assume this movie is incompetent or overly ambitious but it all plays in the films favor once the tone is established.
The film elaborates on characters but it does so artificially. It establishes their artificial personality and then it kills with artificial looking special effects.
It is a funny movie, and intentionally so, but when when you're finished laughing the absurdist nihilistic dread of artificiality is left over and it becomes all the more memorable.
Absolutely essential viewing for fans of Horror and interesting aesthetics. It's easy to interpret Nobuhiko Obayashi's "Hausu" as a bizarre horror-fantasy.
Let's face it: a bunch of teenage girls who go to a house that swallows each of them, how could anyone take that seriously?
It sounds more like something that should star Bruce Campbell. Ah, but when you watch the interview with the director on the Criterion release, that's where it changes.
But the director has a more personal connection. He is from Hiroshima and survived the bombing, but he lost friends in the bombing.
In that respect, the movie is an indictment of war and war's lasting effects. Of course, even if you don't realize that, the movie is still a fun romp.
It's got some of the weirdest sequences imaginable. The sort of movie that you have to see to believe, and I have no doubt that you'll enjoy it.
I've seen it twice. It's a wonderfully crafted mishmash of thousands of cinematic tropes, ideas, and feelings packaged into 88 minutes of film. Yes, it is a movie with a plot, but like , it's about the journey of interpretation and emotion that drives the film rather than resolving anything.
It's goofy, horrifying, tense, lighthearted, crazy, but always perfect. I know the metaphor of a "roller-coaster ride" means almost nothing now-a-days, but it's the most apt comparison.
It's like being shot into a haunted house on the moon in a different dimension. Crafting to end domestic violence.
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How did you buy your ticket? View All Photos Movie Info. In an effort to avoid spending time with her father and his creepy new lover, young Gorgeous Kimiko Ikegami resolves to visit her aunt's remote mansion.
With six of her closest friends in tow, including the musically inclined Melody Eriko Tanaka and the geeky Prof Ai Matsubara , Gorgeous arrives at the estate, where supernatural events occur almost immediately.
A severed head takes flight, household appliances come to life and a portrait of a cat seems to contain an evil spirit. Chiho Katsura.
Aug 10, Toho Company Ltd. Kimiko Ikegami Oshare. Ai Matsubara Gari. Eriko Tanaka Merodii. Kiyohiko Ozaki Keisuke Togo. Haruko Wanibuchi Ryouko Ema.
Kumiko Ohba Fanta. Saho Sasazawa Angel's Father. Chiho Katsura Screenwriter. Nobuo Ogawa Film Editor.
Yorihiko Yamada Producer. Mickie Yoshino Original Music. Asei Kobayashi Original Music. Yoshitaka Sakamoto Cinematographer. Kazuo Satsuya Production Design.
February 6, Full Review…. October 17, Full Review…. July 27, Full Review…. July 14, Rating: A Full Review…. February 9, Full Review…. August 22, Full Review….
May 22, Full Review…. View All Critic Reviews Apr 01, Oh my goodness, what at trippy, crazy, cheesy little movie this is. I don't think it has a single scene in it which doesn't have some type of campy, surreal special effect.
Early on it seems like part Wes Anderson, part after-school special, part J-pop, part I don't know, just 'out there', and certainly unique.
It gets weirder and weirder as it goes. If you love the bizarre and the downright silly, movies which don't take themselves too seriously and are out to throw wild images at you, you'll probably love this film.
Director Nobuhiko Obayashi has a real flair, and he's not out to make things look super-realistic, he's out to entertain.
If you're looking for a ghost story, real drama, or horror, well, this isn't it. You never feel real tension, even as the cute little girls are attacked by mattresses, devoured by a piano, etc etc.
For me I suppose I fell more in the latter camp, wishing the film had some balance in creating a film about the supernatural, but you can easily see why it has a bit of a cult attraction to it, and your mileage may vary.
Antonius B Super Reviewer. Nov 22, A bizarre, experimental kitschy feast for the eyes.Orphan Black: Season 5. For connoisseurs of the bizarre, House's revival is long overdue. Stars of the s, Then Kino Gifhorn Now. Top Box Office. Retrieved 13 January It's cannibalism as the ultimate kiddie ride.